| Title: |
| Web
Seance |
| Artist(s): |
| Nina Sobell,
Emily Hartzell
|
| Brief description of the work: |
| A virtual
performance using brainwave drawings (A brainwave drawing is a live
participant's brainwaves read with electrodes and converted to graphics
by a device), web cameras, Closed-circuit monitors, heartbeats of
live participants streamed via RealProducer |
| Materials, dimensions, duration: |
| 1994,
1998 |
| Location (venue & dates, public/ private):
|
| Two locations:
Walter Phillips Gallery (Banff), and Suzerain, a New York Web development
firm |
| Audience information (size, mode of participation): |
| Each performer,
one each from the live audience in the two locations, was connected
to electroencephalographic (EEG) equipment. An audio and visual interpretation
of their composite brainwave drawing could be seen by all 60 - 90
viewers who visited the web site during the seances. |
| Other information (reviews, collaborators, funders): |
| Web seance
was reviewed in Leonardo Vol 38 No 3 p.193 and commissioned by the
Banff Centre for the Arts |
| Floorplan, scheme:
|
|
|
|
| Visual/ audio-visual reference: |
 |
| Key theme(s): |
| Interplay and
fusion between performer or participant's physical presence and a
perceived reality (projected image); observing externalised internal
processes |
| Further context: |
|
Method of overlay: "The brainwave drawing was integrated with
the video of the brainwave artist's face and streamed onto the Web
Seance home page, where it met the video of another brainwave artist
at Suzerain. These two video streams were combined and underlaid
by constantly changing images of glowing, multiplying orbs or an
image of growing moss."
On the 1999 Web Seance NY/ Banff: "Closed-circuit monitors
and web projection revealed the mysteries of this seance where all
present, virtual and physical, experienced their presence. As all
meditated about the same topic a closed circuit camera was focused
on the interpretive drawings being made of the communication and
inserted into the cumulative image streamed on the web and seen
as a large cc projection and on monitors."
(Sobell online)
|
|