| Title: |
| RePossessed
|
| Artist(s): |
| Chris Lane
and Tony Cryer
|
| Brief description of the work: |
| RePossessed
contained a range of interactive installations, amongst them a piece
of open source software that allows an audience access to the scenes
of Alfred Hitchcock's Vertigo on DVD, and to annotate and recompile
the film (see screen shot to the right) |
| Materials, dimensions, duration: |
|
Artefacts include a DVD jukebox, a Scalextric drive through the
streets of San Francisco, a shot-by-shot movie database, as well
as various immersive installations and video work. The aretefacts
make use of eye tracking, motion sensor, smart card and audio technologies.
|
| Location (venue & dates, public/ private):
|
| The project
was introduced during an internal research seminar at London Metropolitan
Unversity. Parts of the work were then exhibited at the Mindplay conference,
London January 2006; and a following public exhibition at the Gallery
and Studio Theatre, Leeds Metropolitan University, 0ct - Nov 2006. |
| Audience information (size, mode of participation): |
| Audience members
can continually re-make and discuss the content of the exhibits. |
| Other information (reviews, collaborators, funders): |
|
Collaboration of Chris Lane, Tony Cryer, Che-Guevara John, Nick
Haeffner, Anne Robinson, Souli Spiropoulou, Richard Stevens, David
Raybould
|
| Floorplan, scheme:
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-
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| Visual/ audio-visual reference: |
|
| Key theme(s): |
| Social play;
reconstructing hierarchies |
| Further context: |
|
The work poses interesting questions about the authorship and ownership
of materials in the public domain. One of the key points RePossessed
aims to explore through practice is whether the accelerating re-use,
control and modification of media by audiences we observe actually
adds up to real power.
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