| Title: |
| Placeholder
|
| Artist(s): |
| Brenda Laurel,
Rachel Strickland
|
| Brief description of the work: |
| Virtual Reality
Environment |
| Materials, dimensions, duration: |
| {materialsdimensions} |
| Location (venue & dates, public/ private):
|
| 1992, Banff
Centre for the Arts, Alberta, Canada |
| Audience information (size, mode of participation): |
| Virtual Reality
Environment where two people could play simultaneously (see below
). People were able to walk about, speak, and use both hands to touch
and move virtual objects. |
| Other information (reviews, collaborators, funders): |
| Produced by
Interval Research Corporation and The Banff Centre for The Performing
Arts, and directed by Brenda Laurel and Rachel Strickland. Collaborators:
John Harrison, Rob Tow, Michael Naimark, Russell Zeidner |
| Floorplan, scheme:
|

Map of Placeholder
|
|
|
| Visual/ audio-visual reference: |
 |
| Key theme(s): |
| Immersive play;
interplay and fusion between a participant's physical presence and
a perceived reality (projected images and sounds); awareness of illusion
of consciousness and limitation of perception |
| Further context: |
|
Placeholder's primary representational mode was acoustic, using
spatialized audio, however video and photography was also used.
Audio and visual were taken from locations in the vicinity of Banff
National Park in Alberta, Canada.
"Four animated spirit critters - Spider, Snake, Fish, and
Crow - inhabited this virtual world. The characters were based on
"folk stories and rock art [and] were represented as two-dimensional
petroglyphs. When a participant intersected with a petroglyph, it
became a "smart costume", altering the voice, appearance, and sensory-motor
characteristics of its wearer." Due to time constraints the
visual implications of becoming one of the critters (e.g. blurred
vision or infrared vision) remained underdeveloped.
"Objects called "voiceholders" allowed participants to record
and hear fragements of stories within the environments. Transport
among environments was represented by a network of spiral-shaped
'portals'."
(http://www.tauzero.com/Brenda_Laurel/)
|
|