| Title: |
| Life
Pulse |
| Artist(s): |
| Michael Pinsky
|
| Brief description of the work: |
| Life Pulse
registered and illuminated according to visitors' heartbeats to create
rhythms and patterns of light |
| Materials, dimensions, duration: |
| Lamp
posts with in-built sensors and light bulbs at the top. |
| Location (venue & dates, public/ private):
|
| Created in
2004. Exhibited as part of 'Panacea' exhibition at John Hansard Gallery,
Southampton 2005 and CCC, Tours, France 2006 |
| Audience information (size, mode of participation): |
| Up to four
participants can engage with the life poles at the same time. |
| Other information (reviews, collaborators, funders): |
|
Collaboration with Zo‘ Walker & Neil Bromwich; Funded by Arts Council
England, The Wellcome Trust, The University of East London, The
National Health Service, engineered by Brent Measurement Technologies,
sponsored by Claude Lefebvre Lighting. Life Pulse was reviewed in
Artist Newsletter August 2005, p.21
|
| Floorplan, scheme:
|
|
|
|
| Visual/ audio-visual reference: |
Life Pulse , CCC, Tours, France
|
| Key theme(s): |
| Intense engagement
with a body; observing externalised internal processes; immersive
play |
| Further context: |
| In this work
the internal processes were visualised via light. However the user's
physical position (standing with the head tilted backwards) does not
encourage long spells of play. |
|