- '16
[R]evolutions', multi-media dance
performance, Troika Ranch
- '40 Part Motet', spatialised
sound installation, Janet Cardiff
- ‘Affective
Cinema’ biofeedback controlled interaction, Jan Torpus
and Michel Durieux
- ‘Apparition’,
dance performance, Klaus Obermaier'
- Audible
distance’, multi-player environment, Akitsugu Maebayashi
- 'Autopoiesis'
interactive sculpture, Ken Rinaldo
- ‘Bio mapping’,
locative biofeedback piece, Christian Nold
- 'Blow' kinetic
sculpture simulating breathing, Max Streicher
- ‘Braindance’,
biofeedback performance, Thilo Hinterberger
- ‘Brain Opera’
musical biofeedback instruments, Tod Machover
- 'C7:: continuum'
electronic music composition, Ryoji Ikeda
- 'Camera Silens',
sound environment, Rob Moonen and Olaf Arndt
- ‘Cardiomorphologies’,
interactive installation, George Poonkhin Khut
- 'Condensation
Cube', installation, Hans Haacke
- ‘Cyberprint’,
VR performance space, Yacov Sharir
- 'Deserter', installation
based on endurance performance, Marion Kalmus
- 'Electric sheep'
generative screensaver, Scott Draves
- 'Ere be Dragons',
biofeedback mapping, Stephen Boyd Davis et al
- ‘Flesh Protocol’
biofeedback performance, Yoichi Nagashima
- 'fLOW', sound environment,
sound generator, Karlheinz Essl
- ‘Gastarbyter’,
responsive environment, Bruce Gilchrist
- 'Guards' short film
based on a planned walk, Francis Alys
- 'Harmonic Bridge',
responsive installation, Bill Fontana
- 'I am sitting
in a room', sound installation, Alvin Lucier
- 'Imaginary
Landscape No. 4', change-based composition, John Cage
- ‘Intimate transactions’,
interactive installation, The Transmute Collective
- 'It's gonna rain'
generative tape recording, Steve Reich
- ‘Life pulse’
interactive installation, Michael Pinsky
- 'Life spacies
II', responsive installation, Christa Sommerer and Laurent Mignonneau
- ‘Light blaster’,
interactive installation, Christian Moeller
- 'Maelstrom' responsive
environment, Mark Palmer
- ‘Memory Release’,
motion-tracking performance, Isabel Rocamora
- 'Mnemonic present,
Unfolding#7', live performance, Elena Cologni
- 'Music for airports'
generative sound installation, Brian Eno
- ‘Oase 2000’,
interactive sound installation, Christina Kubisch
- 'On Being Invisible
II', biofeedback performance, David Rosenboom
- 'Osmose', VR environment,
Char Davies
- performative live coding
for audiovisual performances, Toplap
- 'Performer/Audience/Mirror',
performance, Dan Graham
- ’Placeholder’
VR environment, Brenda Laurel and Rachel Strickland
- 'Re-collections',
responsive environment, Ed Tannenbaum
- 'Repossessed',
open source software, Chris Lane and Tony Cryer
- ‘Sensuous Geographies’
multi-player environment, Sarah, Rubidge
- ‘Space’,
movement performance, Optik
- 'Spore', life simulation
video-game, Will Wright
- 'Technosphere',
life simulation, Jane Prophet
-
'Test patches'; responsive dance performance, Cell 66b
- 'The Dark' 3D sound
installation, Terry and Gabi Braun
- 'The game of life',
cellular automaton, John Horton Conway
- ‘The Garden’
video installation, Tamas Waliczky
- 'The Layer', interactive
sound installation, Greyworld
- ‘The Thing Growing’,
CAVE drama, Josephine Anstey
- ‘Third Hand’,
performances, Stelarc
- untitled spatialised
sound installation for shhh! exhibition, David Byrne
- 'Videoplace',
responsive envionment, Myron Kruger
- 'Vital Statistics
of a Citizen, Simply Obtained' video, Martha Rosler
- ‘Wave UFO’,
biofeedback installation, Mariko Mori
- ‘Weathersongs’,
generative sound pieces, Richard Garrett
- ‘Web séance’,
web cam performance using biofeedback, Nina Sobell and Emily Hartzell
- ‘Whisper’,
multi-player environment, Thecla Shiphorst and Susan Kozel
- 'World, membrane
and the dismembered body’ sound installation, Seiko Mikami
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