| Physical closeness: |
| Immersive
play through the senses: almost complete loss of self-awareness,
exploring immediate internal processes: |
Intense
engagement with a body, problematizing the body, performing
the body: |
Endurance (intense focus on a body in crisis): |
Intense awareness of (an other's) physical presence,
by direct engagement or confrontation: |
|
'Sensuous Geographies',
'Gastarbyter',
'Maelstrom',
'Light Blaster',
'Life Pulse',
'Osmose',
'Placeholder',
'On Being Invisible II',
'The Dark',
'Brain Opera',
'The Layer',
'WaveUFO',
'Re-collections',
'Videoplace',
'Whisper',
'Spore',
'Braindance',
'Oasis 2000' |
'Flesh Protocol',
'Cardiomorphologies',
('C7:: continuum'),
'Brain Dance',
'Camera Silens',
'Cyberprint',
'Ere be Dragons',
'Gastarbyter',
'Maelstrom',
'Light Blaster',
'Life Pulse',
'Osmose',
'On Being Invisible II',
'Memory Release',
'Space',
'Whisper',
'I am sitting in a room',
'Vital Statistics of a Citizen, Simply Obtained',
'WaveUFO',
'Third Hand',
'World, Membrane and the Dismembered Body'
|
'Deserter',
'Flesh Protocol',
'Camera Silens',
'Space',
'Sitting in a room',
'Vital Statistics of a Citizen, Simply Obtained',
'Third Hand'
|
'Performer/ Audience/ Mirror',
'Mnemonic Present, Unfolding #7',
'Vital Statistics of a Citizen, Simply Obtained',
'Third Hand' |
| Physical and emotional distance: |
| Masking the performing
body: using the body as projection surface or gesturally expressive
tool: |
Presence and absence:
interplay and fusion between a performer's or participant's
physical presence and a perceived reality (projected image or
sound): |
Body and location:
awareness of one's presence in a particular location, or awareness
of being dis-located: |
Observing or listening
to external systems in action (surrogate life, real-time simulations),
less physical involvement: |
|
'Apparition',
'16 [R]evolutions',
'Memory Release',
'Test patches' |
'Intimate Transactions',
'Oasis 2000',
David Byrne,
'Audible Distance',
'40 Part Motet',
'Ere be Dragons',
'Web seance',
'Osmose',
'Placeholder',
'The Dark',
'Sensuous Geographies',
'Re-collections',
'Videoplace',
'Space',
'Apparition',
'16 [R]evolutions'
|
David Byrne,
'Biomapping',
'40 Part Motet',
'Intimate Transactions',
'Harmonic Bridge',
'Oasis 2000',
'Mnemonic Present, Unfolding #7',
('Memory Release'),
'I am sitting in a room',
'The Dark' |
'Condensation Cube',
'Autopoiesis',
'Blow',
'fLOW',
'The Game of Life',
'Electric sheep',
'Life Spacies II',
'Its gonna rain',
'Harmonic Bridge',
'Guards',
'Imaginary Landscape No.IV',
'Music for Airports',
'Weathersongs',
('Test patches'),
'Toplap',
'Spore',
'Technosphere' |
| Self-awareness of perceptive
processes: |
| Observing
one's internal processes, externalised in realtime via visual
and/or audial means: |
Self-observation
feeds back into improvisation, opening possibilities for change: |
Observing
one's awareness of listening: |
Awareness
of the illusion of consciousness and the limitations of perception: |
|
'Biomapping',
'Flesh Protocol',
'Cardiomorphologies',
'Cyberprint',
'Ere be Dragons',
'Light Blaster',
'Life Pulse',
'On Being Invisible II',
'Memory Release',
'The Thing Growing',
'Whisper',
'WaveUFO',
'Web seance',
'World, Membrane and the Dismembered Body'
|
'Brain Dance',
'Brain Opera',
'Whisper'
|
'C7:: Continuum',
'Camera Silens',
'Imaginary landscape No.IV',
'On Being Invisible II',
'I am sitting in a room',
'World, Membrane and the Dismembered Body'
|
'The Garden',
'Mnemonic Present, Unfolding #7',
'Placeholder' (perspective of critters),
'Oasis 2000',
|
| Intersubjective communication: |
| Observing one's non-verbal communication (affect, gestures) |
Social play, physical interaction, communication, exploring through
the senses, playing in groups: |
Reconstructing social hierarchies: |
|
'Affective Cinema',
'Intimate Transactions',
'Re-collections',
'Videoplace'
|
'Autopoiesis',
'Brain Opera' (open group session),
'Audible Distance',
'The Layer',
'Ere be Dragons',
'Intimate Transactions',
'Maelstrom',
'Repossessed',
'Re-collections',
'Videoplace',
'Space' (group improvisation),
'Whisper',
'The Thing Growing' (communication with the thing),
'Sensuous Geographies'
|
'RePossessed',
'Vital Statistics of a Citizen, Simply Obtained'
|
|