| Artworks researched, where
written, visual and audio-visual documentation was available: |
|
Artworks researched, where written and visual
documentation was available: |
| 'C7::
continuum','Bio
mapping', 'Ere
be Dragons',
'Flesh Protocol',
'I am sitting
in a room', 'Imaginary
Landscape No. 4', 'It's
gonna rain', 'Music
for airports', 'On
Being Invisible II', 'Placeholder',
'Repossessed',
'Spore', 'The
Garden', 'The Thing
Growing', 'Third
Hand', 'Blow',
'Weathersongs' |
'16
[R]evolutions', 'Affective
Cinema', 'Audible
distance', 'Autopoiesis',
'Braindance',
'Brain Opera',
'Camera Silens', 'Condensation
Cube', 'Cyberprint',
'Deserter', 'Gastarbyter',
'Guards', 'Harmonic
Bridge', 'Life pulse',
'Light blaster',
'Maelstrom',
'Performer/Audience/Mirror', 'Videoplace',
'Vital Statistics of a Citizen, Simply Obtained', 'Wave
UFO', 'Web seance',
'World, membrane
and the dismembered body' |
| Artworks participated in: |
Artworks experienced as
an audience member: |
| 'Cardiomorphologies',
Electric sheep',
'Intimate transactions', 'Life spacies
II', 'Oase 2000',
'Re-collections', 'Sensuous Geographies',
'Technosphere'
'The Dark', 'The
Layer', David Byrne,
'Whisper' |
'40
Part Motet', 'Apparition',
'fLOW', 'Memory Release',
'Mnemonic present,
Unfolding#7', 'Osmose',
Toplap, 'Space',
'test patches',
'The game of life' |