| Listening to the mind at play | ||
|---|---|---|
| Contextual map | Visual reference | Generative process |
| Artists A - Z | Artwork A - Z | Key content |
| Audience participation | Social setting | Research process |
| Title: |
| Apparition |
| Artist(s): |
| Klaus Obermaier |
| Brief description of the work: |
| Dance and media performance, dancer could interact with and control the image and the musical environment via sensors |
| Materials, dimensions, duration: |
| Projection, programming for interaction |
| Location (venue & dates, public/ private): |
| Ars Electronica 2004, Posthof 04.09.2004/ 7:30pm (medium - large size theatre space) |
| Audience information (size, mode of participation): |
| Traditional staged performance |
| Other information (reviews, collaborators, funders): |
| Idea, concept, direction, visuals, music: Klaus Obermaier Concept, interactive design, technical development: Peter Brandl, Christopher Lindinger, Jing He (Ars Electronica Futurelab), Hirokazu Kato (Osaka University) Choreographer and performer: Desiree Kongerod, Robert Tannion Dramaturgy: Scott deLahunta |
| Floorplan, scheme: |
|
| Visual/ audio-visual reference: |
 |
| Key theme(s): |
| The body; masks and costumes (using the body as projection surface); interplay and fusions between performer's physical presence and perceived reality (projected image): |
| Further context: |
|
http://www.exile.at/apparition/index.html?AppM=movies.html Apparition is at its most striking when the performers interact with the projected image in such a way that projection and live action merge and erase the distinction between the two. A co-production of Ars Electronica Center Linz, South Bank Centre London and Singapore Arts Festival. Realised in the framework of DAMPF_lab, a joint project of tanz performance koeln, Animax Multimedia Theater Bonn, V2_Lab Rotterdam, Ars Electronica Futurelab Linz. http://dampf.v2.nl/ |
http://www.exile.at/apparition/ documentation by Klaus Obermaier