| Title: |
| Affective
cinema |
| Artist(s): |
| Jan Torpus
and Michel Durieux
|
| Brief description of the work: |
| Interactive
installation measuring the affective reaction of an audience member
to the virtual character on screen. |
| Materials, dimensions, duration: |
| Galvanic
skin response sensors, MIDI, sound and image processor, video monitor |
| Location (venue & dates, public/ private):
|
| Transmediale
2002, Berlin |
| Audience information (size, mode of participation): |
| One participant
at a time can interact with the artefact; a chair is set up to face
video output and camera directly. |
| Other information (reviews, collaborators, funders): |
| - |
| Floorplan, scheme:
|
|
|
|
|
| Visual/ audio-visual reference: |
|
| Key theme(s): |
| Observing one's
non-verbal communication |
| Further context: |
|
The virtual characters in affective cinema communicate by using
facial gestures and voice, but no speech. The more relaxed a viewer
is, the more the character tries to provoke using non-verbal means
of communication.
The piece taps into processes that are below our conscious actions
and seeks to establish new ways of interacting that work through
human affect.
|
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