| Title: |
| 16
[R]evolutions |
| Artist(s): |
| Troika Ranch
|
| Brief description of the work: |
| Multi-media
performance using real-time motion capturing technology (infrared
light) and Isadora software (see
demonstration video) |
| Materials, dimensions, duration: |
| Projections,
programmed software |
| Location (venue & dates, public/ private):
|
| The work was
premiered January 2006, Eyebeam Art & Technology Center, NYC;
then on show at ISEA 2006, San Jose Repertory Theater, August 2006
|
| Audience information (size, mode of participation): |
| Traditional
staged performance |
| Other information (reviews, collaborators, funders): |
| Supported
by Essexdance, the Art Council England East and the International
Workshop Festival; the Jerome Foundation, along with research support
from Dance Theater Workshop through their ARM Fellowship program. |
| Floorplan, scheme:
|
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| Visual/ audio-visual reference: |
 |
| Key theme(s): |
| Interplay and
fusion between performer's physical presence and perceived reality
(projected image); using the body as projection surface |
| Further context: |
http://www.troikaranch.org/16revs/trailer-qt.html
online trailer
Troika Ranch Artistic Directors Mark Coniglio and Dawn Stoppiello
spent two months developing 16 [R]evolutions at essexdance during
May and June 2005, working with a new cast of dancers based in the
U.K.
The Isadora system leaves room for improvisation during the performance.
It can measure speed of movement, acceleration, direction, as well
as position. It aims to lose the tight control traditional digital
media tracking systems often impose. Also no sensors need to be
worn by the performer.
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